While City Hall has it’s ups and downs, it gives viewers a unique experience and perspective into the inter workings of Boston’s city officials.
Darren Lynn Bousman’s Death Of Me is fascinating and terrifying but occasionally stumbles into problematic territory.
Jake Tropila takes a look back at The Spy Who Loved Me, Roger Moore’s third Bond film, in anticipation of the release of No Time To Die.
Two series, The Good Place and Russian Doll, are wildly different in tone but reminiscent of each other on a philosophical level.
Director Matthew Heineman takes somewhat of a left turn to document the homecoming of Colombia’s biggest reggae superstar, J Balvín.
The beautiful boldness of The Human Voice makes it clear that Pedro Almodóvar and Tilda Swinton are a match made in film lover’s heaven.
Let’s Scare Julie is technically ambitious and impressive, but never utilises its format to the fullest.
In episode 2, host Jesse Nussman and Film Inquiry staff writer Josh Martin explore what movies are currently jumping out to audiences at festivals.
The film is based on the infamous 1969 trial of seven defendants charged by the federal government with conspiracy and more.
The Goldfinch is not a secret masterpiece, but it is good, beautiful even, and is worthy of revisiting and re-evaluation.
MLK/FBI is damning of the behaviors of the FBI and its treatment of not only the leader of a revolution and the deeply rooted racism that still lingers.
Three new women-centric streaming releases examine the ways in which systemic injustice affects women.
In a world that seems to be leaning more to authoritarian power and rule, we need documentaries such as The Monopoly of Violence.
As we await the release of the next Bond film, we take a look back at The Man with the Golden Gun, Roger Moore’s second entry.
The series Cobra Kai falls in the category of doing nostalgia right, combining both elemnts of the films of the 1980s while also remaining fresh.