A forgettable military and horror thriller, Tom Paton’s Black Ops has all of the best intentions but fails to hit most of them.
We spoke with director Zetna Fuentes about Netflix’s latest series Cursed, the retelling of a classic legend through the female perspective.
As society becomes twisted and distorted in our actual lives, The Halt from director Lav Diaz now feels like a prophetic tale.
Personal Problems focuses on Black humanity in all of its highs and lows, hopes and fears, mistakes, and triumphs.
Colour Me Brown is a personal, self-reflective conversation on one’s race and the associated complications of being different.
William Hopson dives deep into how the power of Elton John music elevated his classic music to new heights in 2019’s Rocketman.
Life is Easy stands apart in the comedy landscape because every important issue is handled with respect, while finding comedy that never demeans.
Beetle Queen Conquers Tokyo is comforting, emotive, overwhelming at times, and always worth the time spent giving it your full attention.
Impetigore is a film of slowly unfolding horror, with every aspect designed to fill you with dread and sorrow.
A London artist and his estranged son try to mend their relationship as they work together to repair a dilapidated house in Italy.
A deeper look at the final moments of Moonlight and A Portrait of A Lady on Fire lead to a profound philosophy of acceptance applicable to everyday life.
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.
Despite great moments of tension and a solid Joseph Gordon-Levitt performance, 7500 is a film of unfulfilled potential.
An ex-soldier, a teen and a cop collide in New Orleans as they hunt for the source behind a dangerous new pill that grants users temporary superpowers.
We’ve seen a direct correlation between the use of cell phones and increased awareness of and civic response to police brutality against Black people.