Two small-town singers chase their pop star dreams at a global music competition, where scheming rivals, high stakes and onstage mishaps test their bond.
We spoke with Taryne Laffar about her production company: PiNK PEPPER, and the company’s major debut, the documentary, Our Law.
Film Inquiry recently had the opportunity to speak with director Matt Riddlehoover about his Johnny Cash documentary, My Darling Vivian.
Superman is one of the most difficult characters to write in any given medium. Zach Snyder gave viewers a Superman that we have not seen on screen before.
An over the top, aimless blunder of foolery, Dreamland is remarkably disastrous yet instantly forgetful.
The Journey Is the Destination is vibrant, violent, and sad, but it celebrates Dan Eldon’s exceptional life well.
Retrocausality has a lot of pieces that could make both an interesting and philosophical character study but it is not executed well.
For this report from the virtual Sydney Film Festival 2020, we delve into thirteen of the short film finalists.
Having done everything from gangster films to gothic horror, Ferrara and Dafoe have captivated audiences with their deeper, arthouse works.
As an ending to the first batch of the season, the episode gives us exactly what we want: explosive anticipation of Bobby and Mike’s war.
Of all the crime films to emerge from the 90s, Carl Franklin’s neo-noir masterpiece One False Move stands as one of the forgotten gems.
Liberté is sexual, it’s arousing in respects, it’s taboo in many instances, but overall, it is grotesque and repulsive.
With just her voice and her eyes, Marlene Dietrich lays bare Lola’s body and heart in The Blue Angel – and we fall under her spell.
Betty is a perfect summer binge that will empower you to go pick up a skateboard and skate your way to the city with a group of friends.