James Benning’s latest work examines the ghostly spaces of human inhabitation through its austere and formalist rigour.
A daughter, mother and grandmother are haunted by a manifestation of dementia that consumes their family’s home.
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.
We spoke with actor John Hawkes about his recent film End of Sentence, how he approaches new opportunities, and even what he’s been reading lately.
This Teacher isn’t a commercial film in its treatment of character, theme and aesthetic. But it’s one that deserves a mainstream audience.
The performances, writing, direction, and overall energy remain superb, further showing a series that is as confident as it is bold.
Featuring a strong performance by Bill Nighy and not a whole lot else, there isn’t much in Sometimes Always Never to make this film stand out.
Revry showcases LGBTQIA+ media, which is more important than ever. The queer community deserves a wide range of inclusive media!
Denis Lavant’s foremost concern in his work, acting or otherwise, is movement itself, in all its intricacy and possibility.
The self-styled, atmospheric glow of The Grey Fox is brought back thanks to Kino Lorber, and the 4K restoration looks immaculate.
This slick spy story has too many tricks up its sleeve, leading more to confusion than thrills.
Two small-town singers chase their pop star dreams at a global music competition, where scheming rivals, high stakes and onstage mishaps test their bond.
We spoke with Taryne Laffar about her production company: PiNK PEPPER, and the company’s major debut, the documentary, Our Law.
Film Inquiry recently had the opportunity to speak with director Matt Riddlehoover about his Johnny Cash documentary, My Darling Vivian.
Superman is one of the most difficult characters to write in any given medium. Zach Snyder gave viewers a Superman that we have not seen on screen before.