As the 40th anniversary of The Shining nears, we have watched and ranked all of Stanley Kubrick’s theatrical releases.
Faith Based isn’t the funniest film you’ll sit through this year, though it might get you through a lazy Sunday with a few laughs.
We review episode 5 of the third season of Killing Eve.
Spaceship Earth is a colossal bore, a failure of documentary filmmaking.
When seriously ill teenager Milla falls madly in love with smalltime drug dealer Moses, it’s her parents’ worst nightmare.
We spoke with Brea Grant, writer/director of 12 Hour Shift, about the movie and her creative decisions, collaborations, and inspirations.
This formula is exactly why even after four brilliant seasons, Billions still manages to keep things fresh and surprising.
Gripping and irresistible, The Stranger will have you holding your breath and on the edge of your seat until the final moments.
Quite beautifully, Lorelei turns this redemption tale into one of the sweetest on-screen portrayals of fatherhood.
In a time when women are breaking boundaries and recreating the ideas and perspectives of female characters, How to Build A Girl delivers just that.
When contrasted against the special designation conferred upon Final Girls, it seems apparent that the horror genre permits its mothers limited options.
Ema is not like any other film that has come out this year so far. Its celebration of female agency is like a fever dream — indescribable and euphoric.
Alice Wu’s The Half Of It is a tender teen romance and a nuanced take on sexuality and friendship. Andrew Stover reviews.
We spoke with actor Talia Shire about her new film, Working Man, her treasured career, as well as her extensive knowledge and participation in the independent film scene.
Working Man is a quiet debut from writer-director Robert Jury, but all the better for it. Lana Stanczak reviews.