The Wolf House uses stop-motion animation to render the world inside the titular house as an ever-evolving nightmare, and is completely immersive despite its freakiness.
In Shirley, a famous horror writer finds inspiration for her next book after she and her husband take in a young couple.
We delve further into the HBO film Bad Education, discussing further its themes of greed and altruism in the media.
From the top-notch performances and Alice Birch’s honest writings, every aspect in Normal People is brilliantly crafted.
Much like last week’s episode of Billions, ‘The Chris Rock Test’ is a solid episode that moves fast and sets the season’s overarching story in motion.
Blood and Money is so content to occupy the safe middle ground without ever doing anything of interest, that it feels like a heartless exercise.
From Murnau’s inventive visual storytelling to Jannings’ wonderful performance, The Last Laugh is the perfect film to begin one’s journey into the world of Weimar cinema.
As the 40th anniversary of The Shining nears, we have watched and ranked all of Stanley Kubrick’s theatrical releases.
Faith Based isn’t the funniest film you’ll sit through this year, though it might get you through a lazy Sunday with a few laughs.
We review episode 5 of the third season of Killing Eve.
Spaceship Earth is a colossal bore, a failure of documentary filmmaking.
When seriously ill teenager Milla falls madly in love with smalltime drug dealer Moses, it’s her parents’ worst nightmare.
We spoke with Brea Grant, writer/director of 12 Hour Shift, about the movie and her creative decisions, collaborations, and inspirations.
This formula is exactly why even after four brilliant seasons, Billions still manages to keep things fresh and surprising.
Gripping and irresistible, The Stranger will have you holding your breath and on the edge of your seat until the final moments.