Cosmos: Possible Worlds continues to present science exactly as it should be presented: as a critically important, yet fascinating journey of discovery and enlightenment, a candle in the darkness of our relatively short journey as a species.
As No Time To Die’s release date was pushed to November, Jake Tropila takes this chance to revisit all previous James Bond films, starting off with Dr. No.
Chung takes heavy, economic, social, and intimate struggles of one middle-class family and trusts the audience to find something relatable and universal in their story.
Two very different recommendations from BFI Flare 2020: Evan Purchell’s explicit doc Ask Any Buddy, and Kelly Walker’s comedy drama My Fiona.
Wilson Kwong spoke with Sally Potter during Berlinale back in February, about her new film The Roads Not Taken and the personal life events that inspired its story.
In Soul, a musician who has lost his passion for music is transported out of his body and must find his way back with the help of an infant soul learning about herself.
This month for our Staff Inquiry, we’re highlighting some of the TV series that left us feeling just right.
While we’ve followed the bad batch for four episodes now, the reintroduction of Mace Windu and Obi-Wan Kenobi helps to signal to us that we’ve arrived at a new plotline.
The Sonata attempts to be moody, brooding, and dark, only to come off as predictable, cliched, and silly.
For all of its faults, 10 Things We Should Do Before We Break Up will woo you into enduring this snapshot of a relationship set to fail.
With its deeply rich messaging and intense showcase of tension, The Toll is definitely a film to add to your must-see list.
As we enter an indeterminate period of self-quarantine, modern technology enables us travel the globe from our living room. Here’s a number of foreign films to keep you occupied.
In Inheritance, a patriarch of a wealthy family suddenly passes away, leaving his wife and daughter with a shocking secret inheritance that threatens to unravel their lives.
Avenue 5 is adrift, not exactly voicing a perspective that feels fresh or relevant. It doesn’t know what it wants to be, leaving it stuck in an unsatisfactory middle.
Episode 2, “The Winter Line”, retains the energy the premiere of Westworld Season 3 established, giving us what we want: Maeve.