With I Saw the TV Glow, Jane Schoenbrun stakes their claim as the preeminent chronicler of those specific horrors inherent in coming of age as a millennial.
Even with as slow and frustrating as the first half of it was, New Life was still a fun watch.
Hundreds of Beavers is a comedic masterpiece, delivering non-stop hysterical sight gags, formal ingenuity, and cathartic woodland violence.
Finally getting to witness Spider-Man 2 gives me a newfound appreciation for my peers and this communal experience.
Curl Power has a deep awareness of the bonds of sisterhood that exist between the girls, yet is clever enough to also understand their individuality.
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
The Beast is about a man beset with loneliness and fears of a fatalistic event likened to an unseen beast haunting him.
Limbo is a fish-out-of-water tale in a barren Outback town.
Femme is both mean and tender, displaying how sexuality and secrets can keep ones real self in violent confrontation with one’s masked self.
A timely horror satire chock full of gore and guffaws, Humane entertains in spite of its flaws.
Film Inquiry had the extraudinary chance to discuss with actor, writer and director Theda Hammel and actor John Early to discuss Stress Positions.
Film Inquiry spoke with one of ISA’s top 25 Screenwriters to watch: Kathryn Orwig
Imtiaz Ali’s Amar Singh Chamkila takes us through the life of one of the most loved and hated singers in Punjab, Amar Singh Chamkila.
A man and his teenage daughter realize they’re at the center of a dark and sinister event while watching a concert.
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