The prestigious Academy Awards have been handed out to deserving participants and with that another year of celluloid excellence has come to a close.
Birds of Prey is a colorful ball of chaos. Is it a cinematic masterpiece? Far from it. But it’s an absolute blast, and that’s all it needs to be.
Bong Joon-ho’s Parasite made history by winning both the Oscars for Best Picture and Best International Feature Film. But why exactly is this such a big deal?
Soham Gadre decided to go back to the last 10 years of the Academy Awards and pick out nominees and a winner for each category.
We were able to speak with actors Rebecca Hall, Stacy Martin, and Evan Jonigkeit, and director David Bruckner from the film The Night House.
Gretel & Hansel is conceptually a clever spin on a story we all know, but when that spin fails at generating scares or digging up much in the way of completely novel insight, it’s hard to know what to get out of the experience.
For a movie like And Then We Danced, so steeped in the traditional culture of Georgian dance, to embrace its taboo subject matter is defiance, artistically rendered.
Stephanie Archer takes a look at 2020’s Oscar Nominated Documentary Short Films!
We were able to talk with actress Madeleine Arthur, who stars in the H.P. Lovecraft adaptation Color Out of Space.
Jojo Rabbit is a movie that delivers on its promise of humor, yet it leaves a thought provoking imagery that speaks to the true prowess of the message behind the satire.
Idealism can be a tough sell, but Ironbark sells the hell out of it nevertheless, remaining firmly committed to its compassion for individuals caught up in the iron grip of history.
Chilling Adventures of Sabrina didn’t quite deliver on all fronts, deploying more inspiration from Riverdale — a decision that ultimately backfires.
The Outsider’s measured pace is beginning to feel like it was put in place to forcefully expand this story into 10 episodes, not just for the slow-burn effect.
As “Maps and Legends”, the second episode of Star Trek: Picard, comes to an end, it still feels like a show that’s yet to start telling its actual story.
On paper this movie may sound like a delicious recipe for some good old fashioned fun, but Richard Stanley’s Color Out of Space ultimately ends up stuck in a losing battle.