Big Mouth Season 3 continues in the show’s tradition of blunt honesty with a dash of humor, while not being without flaws.
For the most part, the representation of slam poetry in cinema has been that of…
Our final report from 31st Annual New York LGBTQ Film Festival with reviews of A Night at Switch n’ Play, Brief Story from the Green Planet, Scream, Queen! My Nightmare on Elm Street & Tu Me Manques.
In this episode of AHS 1984, we are given Richter’s background, completing the grisly characteristics of his damaged self.
In his final report from Film Fest 919, Josh Martin takes a look at four very different films: Collisions, Cyrano My Love, Marriage Story and In Fabric.
Robert Eggers’ The Lighthouse is an abstract and surreal thriller which finds its grounding in its discussion of labor.
Patrick CrosseI had the privilege of getting to watch the winners of each of the Drunken Film Festival Oakland’s categories this year.
The world of filmmaking seems simple enough from the view of an audience, while Twitter…
His Dark Materials is, at its core, a story of adventure, so strap in and let’s see where the zeppelins take us.
Stephanie Archer had the chance to check out a number of interesting short films at the Ridgefield International Film Festival 2019.
Her name sounded so familiar. I tried to jog my memory and dig into the…
Wounds is a work of unyielding dread – one of those misunderstood gems that comes along every so often, catching you off-guard with its skin-crawling concept and arcane atmosphere.
Greta Gerwig adapts the classic novel Little Women, in which four sisters come of age in America in the aftermath of the Civil War.
If The Maltese Falcon is a work of high Modernism, then The Big Sleep has more in common with Postmodernism, with an obsession with the simulacrum of detective stories, not the quest for truth.
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.