Boyhood is an impactful film, teaching us the strong life lesson of the importance of living in the moment.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
1917 is a vision of uninterrupted chaos, equipped with a unique blend of personal pathos and visual bravado.
There are plenty of reasons to recommend Wang Xiaoshuai’s So Long, My Son, but the greatness is infuriatingly just out of grasp.
In The Rhythm Section, a woman seeks revenge against those who orchestrated a plane crash that killed her family.
This episode of His Dark Materials expands the show’s reach and vision just beyond one character, so that we can speculate on things to come.
Shawn Glinis covers some of the latest home video releases and 4K re-releases: Decoder (1984), Mr. Nice Guy (1997), Red Heat (1988) and 47 Meters Down: Uncaged (2019).
Anya does its best to provoke you into forming an opinion about the importance of conserving insular cultures through complex, nuanced filmmaking.
Thanks to its talented and charismatic leads, The Kaminsky Method overcomes any lack of forward narrative momentum.
Successful author Veronica (Janelle Monáe) finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it’s too late.
When looking at the two most recent of Pixar’s underwhelming sequels, both unquestionably fueled on the nostalgia of its now-grown paying audience, there’s only one clear winner in this fight.
Amanda Mazzillo rounds up the late night films with reviews of The Lodge, In Fabric, The King and Parasite from SCAD Savannah Film Festival.
The Plagiarists is peculiar, fairly self-reflexive, and laced with grueling yet equally as rewarding ambiguity that comes from the artists’ seat.
In a world that seems more divisive and hopeless everyday, A Beautiful Day In The Neighborhood is a beautiful film that anyone and everyone could and should see.
In The Call of the Wild starring Karen Gillan and Harrison Ford, a sled dog struggles for survival in the Alaskan wild.