Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save the joyous spirit of youth from the deadly peril of growing up.
Daybreak is a show begging not to be analysed, instead designed to be consumed mindlessly in one sitting over the Halloween season.
Shawn Glinis takes a look at the recent Blu-Ray releases of Beyond Evil (1980), Universal Horror Vol. 2 (1933-1943) and Journey to the Beginning of Time (1955).
Big Mouth Season 3 continues in the show’s tradition of blunt honesty with a dash of humor, while not being without flaws.
For the most part, the representation of slam poetry in cinema has been that of…
Our final report from 31st Annual New York LGBTQ Film Festival with reviews of A Night at Switch n’ Play, Brief Story from the Green Planet, Scream, Queen! My Nightmare on Elm Street & Tu Me Manques.
In this episode of AHS 1984, we are given Richter’s background, completing the grisly characteristics of his damaged self.
In his final report from Film Fest 919, Josh Martin takes a look at four very different films: Collisions, Cyrano My Love, Marriage Story and In Fabric.
Robert Eggers’ The Lighthouse is an abstract and surreal thriller which finds its grounding in its discussion of labor.
Patrick CrosseI had the privilege of getting to watch the winners of each of the Drunken Film Festival Oakland’s categories this year.
The world of filmmaking seems simple enough from the view of an audience, while Twitter…
His Dark Materials is, at its core, a story of adventure, so strap in and let’s see where the zeppelins take us.
Stephanie Archer had the chance to check out a number of interesting short films at the Ridgefield International Film Festival 2019.
Her name sounded so familiar. I tried to jog my memory and dig into the…
Wounds is a work of unyielding dread – one of those misunderstood gems that comes along every so often, catching you off-guard with its skin-crawling concept and arcane atmosphere.