Though plot-wise Atypical is somewhat formulaic and uses many tropes from the drama/comedy genre, its utilization and handling of these make it a step up from many shows of the same variety.
Better Days is a mostly earnest drama that plods through bullying, academic stress, murder and tragedy, retaining a fittingly bleak and dolorous tone.
While it does suffer from a few hiccups along the way, it finds its strength in its source material and its characters, cast and crew.
For all its faults, Knives Out is a brisk and often engaging film that will provide audiences a moderately enjoyable ride.
Violence dehumanizes in many ways. It can do so overtly, presenting you with situations that…
Ping Pong (1986) directed by Po-Chih Leong is a Cantonese and English-language comedy-drama that examines aspects of the Chinese diaspora in Britain.
Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.
The Film Inquiry staff reveals their favorite female directors, from Alice Guy-Blaché to Sofia Coppola.
The Gallows Act II is full of bad jump scares, laughable dialogue and is never very scary. Kevin Lee reviews.
Inspired by real events about Jean Seberg, who in the late 1960s was targeted by Hoover’s FBI because of her political and romantic involvement with civil rights activist Hakim Jamal.
Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.
Amanda Mazzillo reviews the latest from the Savannah Film Festival, including Knives Out, Honey Boy, and The Truth.
The Walking Dead acts as a return to the toxic, abhorrent roots of the zombie genre, and presents a world where racism doesn’t exist.
Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.
Klaus captures the old fashioned wonder of Christmas within the old fashioned splendor of traditional animation.