Greta Gerwig adapts the classic novel Little Women, in which four sisters come of age in America in the aftermath of the Civil War.
If The Maltese Falcon is a work of high Modernism, then The Big Sleep has more in common with Postmodernism, with an obsession with the simulacrum of detective stories, not the quest for truth.
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.
While it does contain so interesting moments to keep you attention, The King is not worthy starting in the first place.
The Entire History of the Louisiana Purchase ventures into nearly every documentary topic imaginable except what the title might imply.
Harriet is a formulaic biopic that doesn’t take any creatively clever leaps to ensure this biopic deserves to be associated with the historical significance of Harriet Tubman.
Puppeteers Judy and Punch are trying to resurrect their marionette show in an an anarchic town on the brink of mob rule.
In the October Bollywood Inquiry, Musanna Ahmed covers new Bollywood releases The Sky is Pink, War and Saand Ki Aankh.
Suleiman’s It Must Be Heaven balances wit and amusement with a melancholic, maybe even unfulfilled, sense of belonging.
Countdown is not aggressively terrible, but it’s life-threateningly dull.
If you have kids, don’t waste the time or the money, Arctic Dogs exists as an animated film that you should miss.
With so many great watches this year at Austin Film Festival 2019, Kristy Strouse is back with her second report.
Coverage of the 11th annual Milwaukee Film Fest opens with Aaron Schimberg’s Chained for Life…
Thanks to our friends at Magnolia Mae Films, Film Inquiry is happy to announce that we’ve got 2 DVDs to give away for The White Crow to our European readers!
Clement Tyler Obropta explores whether or not Scooby-Doo promotes racist messaging, and how it uses xenophobic thinking to power a praxis of politics for propelling the narrative.