In a compassionate ending, the season wraps up with a happy ending for all, a rarity for American Horror Story.
The Mandalorian isn’t the best thing on TV right now by a large margin, but as a Star Wars series, as a show for casual viewing there’s nothing wrong with it.
Between bad dialogue, acting that feels as undeveloped as the characters, and an unfocused story, it’s no wonder Midway feels like a drag.
While the tone, look and disturbing special effects will enthrall audiences in the beginning, Daniel Isn’t Real misses the mark in its third act.
His Dark Materials is an adventure story at its core, and we’re finally starting to get into the adventuring.
Stéphane joined the Anti-Crime Brigade of Montfermeil, in the 93. He soon discovers the tensions between the different groups of the district.
It was on a dreary night in March, 1910, that the Thomas Edison–produced Frankenstein played…
Wilson Kwong spoke with Executive Director Deanna Wong of the Toronto Reel Asian Film Festival, where Asian films from all around the world are showcased.
An Elephant Sitting Still exudes so much elegance, frame precision and ingenuity that it is destined to have a place in cinema.
The city is on a knife’s edge, a pressure-cooker about to explode into the incendiary 1977 New York blackout riots.
Lorna Codrai looks at why 2006 was the most pivotal year of DiCaprio’s career, a year change him from a Prince to King of the World
In his latest report from the 2019 Milwaukee Film Fest, Shawn Glinis reviews the films The Body Remembers, Genesis and the Marion Stokes Project.
A transformative adaptation, American Son may not be a groundbreaking piece of filmmaking, but that’s not what it was meant to be either.
With the talent both behind the camera and in front of it, one would expect more thank a glorified Hallmark film from Last Christmas.
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.