A tremendous cast and creative team can’t help Modern Love from feeling a bit undercooked.
Boys takes a well-worn story of self-acceptance and turns it into a beautiful piece of internal struggle.
The short film Judas Collar poetically wields its message with an unspoken but clear affront to such violent practices, with beguiling results.
Terminator Dark Fate is a tentative move in the right direction for the series, acknowledging that the formula must be changed without fully pulling the rug out from under fans.
A charismatic New York City jeweler always on the lookout for the next big score, makes a series of high-stakes bets that could lead to the windfall of a lifetime.
Black And Blue is a surprisingly engaging cop thriller; it has some stellar performances, confident direction, and a sharp story to boot.
At the Sleepy Hollow International Film Festival, Jim Dixon had the chance to speak with legendary producer Edward R. Pressman.
Watchmen is a bit of a weird one right now. Looking back on these episodes it seems rather confusing, because that’s just how it is.
Watchmen is looking to be a thrilling and satisfying continuation of the world that changed the world 30 years ago.
Amanda Mazillo reports from SCAD Savannah Film Festival with reviews of documentaries and narrative features, as well as a number of short films.
Doctor Sleep may not be the most satisfying conclusion to both the book and film version of The Shining, yet it is still an engaging film in its own right.
Even in their shortcomings, Rattlesnake, Skyman and The VICE Guide’s to Bigfoot were all just off center enough to be entertaining.
Reporting from Chicago International Film Festival, Lana Stanczak reviews Components of Love, Jojo Rabbit and The Irishman.
With a better script and more action, Badland could have been a modern-day cowboy flick worth the near two hour run time.
In years past, I recommended great horror movies from around the world. Find part one…