Patrick CrosseI had the privilege of getting to watch the winners of each of the Drunken Film Festival Oakland’s categories this year.
The world of filmmaking seems simple enough from the view of an audience, while Twitter…
His Dark Materials is, at its core, a story of adventure, so strap in and let’s see where the zeppelins take us.
Stephanie Archer had the chance to check out a number of interesting short films at the Ridgefield International Film Festival 2019.
Her name sounded so familiar. I tried to jog my memory and dig into the…
Wounds is a work of unyielding dread – one of those misunderstood gems that comes along every so often, catching you off-guard with its skin-crawling concept and arcane atmosphere.
Greta Gerwig adapts the classic novel Little Women, in which four sisters come of age in America in the aftermath of the Civil War.
If The Maltese Falcon is a work of high Modernism, then The Big Sleep has more in common with Postmodernism, with an obsession with the simulacrum of detective stories, not the quest for truth.
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.
While it does contain so interesting moments to keep you attention, The King is not worthy starting in the first place.
The Entire History of the Louisiana Purchase ventures into nearly every documentary topic imaginable except what the title might imply.
Harriet is a formulaic biopic that doesn’t take any creatively clever leaps to ensure this biopic deserves to be associated with the historical significance of Harriet Tubman.
Puppeteers Judy and Punch are trying to resurrect their marionette show in an an anarchic town on the brink of mob rule.
In the October Bollywood Inquiry, Musanna Ahmed covers new Bollywood releases The Sky is Pink, War and Saand Ki Aankh.
Suleiman’s It Must Be Heaven balances wit and amusement with a melancholic, maybe even unfulfilled, sense of belonging.