In his second report from Film Fest 919, Josh Martin reviews Ford V Ferrari, Honey Boy and The Truth.
The Dead Center is one of the more intriguing, effective indie thrillers as of recent memory.
Mirroring the problematic characters it depicts, Big Mouth is a bit of a disjointed mess, hilarious at times and problematic at others.
In his second report from New York’s NewFest LGBTQ, Andrew Stover reviews Cubby, Last Ferry and Second Star on the Right.
Just as Mallo does in the film’s final moments, Almodóvar reaches into the past to find new ways to create, to evolve, and eventually, find glory from pain.
In Bombshell, a group of women decide to take on Fox News head Roger Ailes and the toxic atmosphere he presided over the network.
To kick off the 14th annual Toronto After Dark Film Festival, Bree Duwyn got the joy of viewing three incredible feature films with lots of heart, laughs, and adventure.
Living with Yourself is as much as about the actual character living with another version of himself as much as it is about our own acceptance of the lives we live.
In his first report from the New York LGBTQ Film Festival, Andrew Stover reviews Sell By, Tremors and One Taxi Ride.
Coming in at just over 90 minutes with a solid pace throughout, Porno is very funny, very gross, and full of heart.
With the second half of the season left to still air, and the follow-up episode giving attention to the survivors, AHS 1984 seems primed for a sequel.
Jay and Silent Bob Reboot, is a heartfelt, thoughtful film that takes a clever jab at Hollywood’s dwindling originality, while maintaining its own level of originality.
Film Inquiry’s final dispatch from LFF is here, with reviews including Pablo Larrain’s Ema and Billie Piper’s Rare Beasts.
Hitsville: The Making of Motown is a loving and lively reflection on Berry Gordy’s pop music factory, one of the greatest of the 20th century.
Stories, no matter the medium, have always been full of heroes, so we’re taking a minute to highlight some of our favorites from film and television.