Little Monsters is a horror comedy with no scares, and a comic potential that runs out of steam by the time the premise kicks in.
Dolemite is my Name manages to be a loving ode to Blaxploitation and Black independent filmmaking while still being one of the funniest films of the year so far.
In the first video of a new series, Kristy Strouse discusses Stephen King’s It, comparing the novel to its many adaptations and tries to unravel the story’s complexities.
In the September Bollywood Inquiry, Musanna Ahmed covers new Bollywood releases Chhichhore, Dream Girl and The Zoya Factor.
Disenchantment Part 2 feels new, current, and understanding of what makes it wonderful – chapter 3 not only feels necessary, but desperately asked for.
Cuck is a tone-deaf and brain dead character study where any and all insight is shredded and tossed out to make way for Z-grade exploitation.
Stay home and watch the original Rambo films instead. Rambo: Last Blood was not needed.
Before this year’s LFF kicks off, the Film Inquiry team took a look at acclaimed documentaries, and some unusual festival favourites.
Anna, Elsa, Kristoff, Olaf and Sven leave Arendelle to travel to an ancient, autumn-bound forest of an enchanted land. They set out to find the origin of Elsa’s powers in order to save their kingdom.
With its straightforward premise and non-stop action, The Raid: Redemption is a future action classic that helped shine a light on the Indonesian film industry.
Temptingly measuring suspense and psychological anguish, A Dark Foe doesn’t always fulfill its thematic potential, but the effort ensnares you in its grip.
While it’s true that film as a medium is intrinsically subjective, it seems pretty clear amongst viewers with knowledge of film that Parasite will go down as a classic.
The Village in the Woods is a deviant slow burn with just enough horror to satisfy you this Halloween, even if it gets a bit muddled along the way.
While episode 2 of AHS 1984 provided new insights, more than enough questions arose as murder, secrets and terror lurked in the shadows.
The Neglected Politicism of Yasujiro Ozu’s TOKYO STORY
Released just one year after the end of the American occupation of Japan, Tokyo Story obliquely reflects on the changes that came over the country.