Despite some early objections, The Boys turned out to be a pretty terrific show that exceeded initial expectations and then some.
The Giverny Document demands attention, and even if the attention it does receive ends up in the limited availability of a museum, the format cannot be more appropriate.
Guest of Honour ultimately feels like a missed opportunity for both an intriguing character study on grief, and a compelling drama.
Waves is an exquisitely crafted piece of art that solidifies Shults as a force to be reckoned with.
Brittany Runs a Marathon is positively delightful, a rare comedy that doesn’t gloss over the often painful challenges one faces in changing one’s life for the better.
A group of students are stalked by a stranger during their Christmas break. A remake of the 1974 horror film ‘Black Christmas’.
Stephanie Archer had the opportunity to speak with Amy Schatz, director of In the Shadows of the Tower: Stuyvesant High School On 9/11.
The Dark Crystal: Age of Resistance is the bold kind of fantasy that is more than welcome from the Henson studio in the 21st century.
Measure For Measure is a worthy testimonial to the talents of a gifted screenwriter and actor who has left us too soon.
Balloon is a short film that will lend different meanings to a wide variety of viewers, yet one feels it may draw in the wrong crowd.
Amy Schatz’s “In the Shadow of the Towers: Stuyvesant HIgh on 9/11” recounts the harrowing day through the eyes of high school students who saw it happen first hand.
Above all, Pedro Almódovar’s latest film Pain and Glory is a semi-autobiographical trilogy and a love letter to cinema.
A newly crowned king must navigate palace politics, the war his father left behind, and the emotional strings of his past life.
Cinema allows us to immortalise people and events, capture change and examine the nature of time. Liam Beazley explores how time is explored in film.
Don’t Let Go sounds clever and mystical, but it’s a time-consuming thriller with alluring configuration and very little payoff.