Disco Boy doesn’t quite work, though thanks to some quality craftsmanship and the always-fantastic Franz Rogowski, it does come close.
Kristy Strouse spoke with writers and the director of Restorage: Caleb Davis and E’an Verdugo, as well as the star Jacob Daniels.
While Gothika may not have stood the test of time, or have the most plausible horror narrative, it delivers an eerie watch.
Written, directed, edited and composed by Dimitri Simakis, The Rainbow Bridge is a science fiction delight that boasts an energetic spirit and a unforgettable oddity.
Electric vehicles represent the future of transportation. Filmmakers can make use of this reality by leveraging EVs as symbols on the screen.
Kristy Strouse takes on three bold short films, wrapping up this year’s Sundance Film Festival with some horror, some comedy, and some punk rock.
In All I’ve Got and Then Some, Rasheed Stephens brings his own experiences to the big screen to tell a story of passion, dedication, and sacrifice.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
In this report, we’ll look at Little Death, Veni Vidi Vici, and Kidnapping Inc., each from a different part of the world, focusing on a different theme.
At this year’s Slamdance Film Inquiry spoke with the writer, director, and two stars of the film DARUMA.
With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.
An effective and vitally relevant piece of cinema, Eternal You is both a display of hope and caution that we all need to hear.
With these three documentaries, we can experience wildly different subjects, but take them all with a sense of awe.
Film Inquiry spoke with actress, writer and director Radha Mehta for her short film premiering at Slamdance Film Festival: Dosh.