The Farewell reveals Lulu Wang is a director to watch out for, but loses impact by leaving so many of the themes it wishes to explore unspoken.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
Beatriz at Dinner is one of the earliest reactionary films of the Trump Era. The question remains whether or not it has any answers for the current climate.
The final episode in what has become the highest rated TV show ever recorded on…
We spoke with Peter Medak about his new documentary The Ghost of Peter Sellers, reconciling the past, and his many friendships with some of Hollywood’s best.
A big crowd-pleasing comedy that truly delivers, The Trouble With You is simply a very funny film with a very large heart.
Musanna Ahmed takes a look at some of Bollywood’s May releases: Student of the Year 2, De De Pyaar De and PM Narendra Modi.
Diego Maradona is another triumph for Asif Kapadia, offering something richer than the standard sports documentary.
In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences..
What kind of character is Audrey Tautou play in Amélie when we examine her again 18 years since the film’s initial release? Read on for our verdict.
Dani Cooper spoke with Darya Zhuk, director of the drama Crystal Swan, about making the film, her inspirations, change in Belarus and more.
In this installment of Video Dispatches we cover Alain Resnais’ Melo and two black and white classics, Dragonwyck and The Big Clock.
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
Once Aurora is breezy, raw and evocative, an often surprising visual close-up of a young artist moulding her career against the mainstream methods of pop success.
Besides a slight hiccup, Swamp Thing’s pilot episode is a promising start for the superhero/horror series.