In this latest episode of The Simpsons greatest hits, we look at an early prequel episode introducing the love story of Homer and Marge in “The WayWe Was”.
While it would take the serious alienation, River of Grass has all of the seeds that would bloom into one of the 2000s greatest filmmakers.
For this month’s Staff Inquiry we surveyed our writers to see which soundtracks really knocked their socks off. See if you agree with their choices.
Room For Rent is like the world’s worst filled donut; doughy and undercooked until you get to the sweet, jam-filled middle middle that is Lin Shaye and it’s all worth it again.
Constructed from over 500 hours of never-before-seen footage, this documentary centers on the career of celebrated football player Diego Maradona.
With conspiracies theories and boogeymen on the rise, Joe Dante’s The ‘Burbs may be more relevant now than ever before.
The acclaimed Melbourne Documentary Film Festival has returned with a program filled with local and international delights; we list the top ten films to catch.
With a strong idea that isn’t executed as it should have been, The Rainbow Experiment ends up less enthralling than its titular incident.
For all of the accusations thrown around in The Reports on Sarah and Saleem, nobody can accuse this Palestinian drama of being melodramatic.
In Avengement, Scott Adkins graduates from villain status to unflinching antihero, transforming himself into a one-man trauma center.
In Always Be My Maybe, a pair of childhood friends end up falling for each other when they grow up.
Leading with the theme of “audacity in cinema,” the 14th edition of the South East European Film Festival took flight in Los Angeles from 5/1-5/8.
Art is inseparable from death. This is one of the main conclusions of Abel Ferrara’s meditation on the always controversial Pier Paolo Pasolini.
This is the end. The ashes have settled. It may be a somber one, but Game of Thrones’ characters’ fates have finally come to pass. Was it satisfactory?
The Tomorrow Man examines the relationship of two elderly people preparing for the end of days that despite its charm remains shallow.