Donbass is the darkest of comedies, showing how wartime mania can fundamentally transform a nation overnight.
In a world where penguin movies are multiplying, it’s nice to see a penguin march to the beat of his own drum in Penguins.
A24’s films have produced countless conversations amongst Film Inquiry writers – here, they pick their favourites from the studio.
While there may not be enough time to deliver a satisfying ending, the epic conclusion we’ve been waiting for could be on the horizon.
Australian soccer comedy Back of the Net recalls other underdog sports films of the past, but without an ounce of creative inflection.
Dan Curtis was a fascinating and talented filmmaker, and Master of Dark Shadows helps fill an information void where he’s concerned.
The Silence is worth a watch because of Stanley Tucci alone, but if you crave a good film, just pick up a copy of A Quiet Place instead.
We are officially two episodes into the final season of Game of Thrones, with only four…
Thanks to our friends at Roadshow Films, Film Inquiry is happy to announce that we’ve…
In Domino, a Copenhagen police officer seeks justice for his partner’s murder by a mysterious man.
Prince Rogers Nelson never fell prey to the novelty trap. His theatrical mystique—the leather and…
We examine how Gloria Bell is disenchanted with L.A., transforming the unhappiness with the city into a dissatisfaction with the American dream.
In this latest Video Dispatch, we discuss Rainer Werner Fassbinder’s 13-hour TV production Berlin Alexanderplatz.
The fourth episode of The Twilight Zone revival suffers from some of the same flaws as the previous three episodes, but this might be the best episode yet.
Hellboy is an unfortunate example of how a R-rated superhero film could go wrong. It’s violent, but to a fault, lacking humor, substance, or a compelling story to go along with it.