In The Last Black Man In San Francisco, a young man searches for home in the changing city that seems to have left him behind.
We delve into Pawlikowski’s unique grasp of time as it relates to the central romance in his film Cold War.
I came to the conclusion that I like watching paint dry because not only did…
Matteo Garrone is arguably one of the most talented filmmakers working today. He is certainly,…
Even if Non-Fiction doesn’t end up being a revelatory film in Assayas’ catalogue, it’s never uncompelling.
Avengers: Endgame was three hours of time-altering fights, blood, promises made, promises kept, and death – all culminating in a spectacular end to a decade’s worth of beloved movies.
In Gemini Man, an over-the-hill hitman (Will Smith) faces off against a younger clone of himself.
Following Skate Kitchen and the Oscar nominated Minding the Gap, mid90’s continues the recent renaissance of skateboarding in the movies.
Overall, In A New York Minute feels unique in its premise and execution, and a very promising entry early in Ximan Li’s filmography.
Despite the great performances by the three leads, Little suffers from a predictable plot and basic jokes.
With only one episode left in the season, American Gods has to create some tension amongst its cast of characters.
América is an empathetic, heartening documentary, painfully true in its depiction of the hardships arising from family members caring for an elder who’s losing her grip on their and her own identity.
There’s a refreshing nature in Wild Nights With Emily to how Madeleine Olnek gives Dickinson a certain dignity while embracing her truths that were buried in her work.
Game of Thrones spent so much time drumming up the battle with the Dead, that everything that comes after will be second fiddle in intensity and importance.
We discuss the trend (and often, shortcomings) of truth-based horror, e.g. taking a folktale like La Llorona and making a horror film based around it.