Despite few releases due to Avengers and politics, cinemagoers were served with two major Bollywood releases this month: Romeo Akbar Walter and Kalank.
We were able to speak with Monique Sorgen, writer and director of the independent short film Sorry Not Sorry.
Diamantino is too insufferably quirky to offer any meaningful statement on the socio-political issues it references.
Plus One is a perfectly serviceable and adequate romantic comedy; it has moments that charm and promising performances.
There are many questions left with only two episodes left this season of Riverdale, everything coming together in an intense turn of events.
In Crawl, a young woman finds herself trapped in a flooding house while attempting to save her father during a Category 5 hurricane.
The MCU is undoubtedly a success, both with fans and critics alike, yet there is one major flaw running through many of them: a rushed pace and overblown action.
Where Toy Story found something deeply moving in a tale of toys, UglyDolls comes crashing down with all the moral engagement of a 1980s animated PSA.
There are many questions after “Fear the Reaper”, some I think we may have to wait until Riverdale returns next season to get full answers.
Starfish’s reach might ultimately exceed its grasp, yet the film still succeeds as an immersive, stunningly crafted apocalyptic sci-fi.
Kristy Strouse spoke with Christopher Thorn and Rogers Stevens from the band Blind Melon for the Tribeca documentary All I Can Say.
Surviving the experience of Queen of Diamons means being rewarded with a film that has more to say with far fewer words than much of independent cinema today.
Kristy Strouse recalls some of the incredible immersive opportunities she was able to experience at the 2019 Tribeca Film Festival.
Hail, Satan? neatly fits in with a series of recent documentaries that do little more than preach to the liberal choir.
Knock Down The House highlights four political pioneers, and provides an intriguing snapshot of post-2016 election America.