Jessie Buckley is a star, and the fact she makes Wild Rose almost worth watching is testament to her skill as an actress.
Poms is a comedy about a group of women who form a cheer leading squad at their retirement community, proving that you’re never too old to ‘bring it!’
In Angels & Demons, “antimatter” is what the villains want to use to blow up the Vatican. What is antimatter, and is it really that explosive?
With a simple premise and gorgeously pared down visuals, Laundromat is a wonderful short that perfectly captures a tiny facet of the human experience.
Meme can be a brilliant thriller when it wants to be, but there is a heck of a lot of philosophising bridging those tenser moments.
Kent Jones’ Diane struggles to define itself as something more than an average, albeit thoughtful, indie film.
The Joker is one of the most popular and most frequented DC villains to hit the screen – Kristy Strouse looks at his evolution over the years.
The Wind reverberates with an eerie tone, and though occasionally uneven, there is enough here to ultimately recommend it, especially for fans of Westerns or horror.
With her film Tamara and The Ladybug, Lucía Carreras has managed to craft a small scale film with a social awareness and universality reminiscent of The Bicycle Thieves.
With only six episodes left before the series finale, Game of Thrones fans better be prepared for a harrowing ride.
The Curse of La Llorona is not original enough to stand on its own, relying too intently on jumpscares and with not enough focus on the characters around them.
We were able to speak with Justin O’Neal Miller, writer and director of the comedy short about American suburbia called Peggy.
The latest adaptation of Stephen King’s Pet Sematary has some interesting new ideas, but it never quite reaches liftoff.
Stockholm is successful in doing the impossible – making the viewer understand and even empathize with the interpersonal connection between a hostage and her captor, and vice versa.
Becky Kukla looks at three films playing at this year’s BFI Flare: JT Leroy, Two in the Bush, and No Box For Me, An Intersex Story.