We were able to sit down with director Ant Timpson, and stars Elijah Wood and Stephen McHattie to discuss their new and wild film Come To Daddy.
While it’s plot is relatively flimsy, American Woman thrives on the basis of its powerful performances, particularly those from Hong Chau and Sarah Gadon.
We spoke with Puerto Rican director Zoé Salicrup-Junco about her important short film about the current immigration crisis, Marisol.
The tension between musical and war drama at times overwhelms the picture – but god, even when it’s a failure, Swing Kids is entertaining as hell.
Whether a gift from God or the vitality of technological advancements, Amazing Grace is a gift of cinematic resurrection brings back Aretha in all her glory.
Be Natural: The Untold Story of Alice Guy-Blaché does a great service in making sure that we never again forget about Guy-Blaché’s contributions to film history.
We were able to talk to Matt Ratner, director of the comedy Standing Up, Falling Down, featuring the iconic Billy Crystal.
In The Last Black Man In San Francisco, a young man searches for home in the changing city that seems to have left him behind.
We delve into Pawlikowski’s unique grasp of time as it relates to the central romance in his film Cold War.
I came to the conclusion that I like watching paint dry because not only did…
Matteo Garrone is arguably one of the most talented filmmakers working today. He is certainly,…
Even if Non-Fiction doesn’t end up being a revelatory film in Assayas’ catalogue, it’s never uncompelling.
Avengers: Endgame was three hours of time-altering fights, blood, promises made, promises kept, and death – all culminating in a spectacular end to a decade’s worth of beloved movies.
In Gemini Man, an over-the-hill hitman (Will Smith) faces off against a younger clone of himself.
Following Skate Kitchen and the Oscar nominated Minding the Gap, mid90’s continues the recent renaissance of skateboarding in the movies.