We spoke with Miranda Tapsell, star and co-writer of the Australian romantic comedy Top End Wedding.
While a bit rough around the edges, Under the Silver Lake is one of those films that you’ll be lucky to experience even in light of its flaws, and stands as an astounding sophomore effort.
In The Hole In The Ground, a terrifying encounter with a mysterious neighbour shatters a woman’s fragile security, throwing her into a spiralling nightmare of paranoia and mistrust.
Ever wondered how Star Trek’s holodecks work? We take a look at the show’s fictional technology, and what real life technologies are similar.
The Lego Movie 2 is a perfectly crafted sequel that expands on the world of its predecessor, but stands firmly on its own little Lego-legs.
This year at Sundance there were six films from Australia, and we were able to catch three: I Am Mother, Top End Wedding and Little Monsters.
In our seventh report from Sundance Film Festival 2019, we cover Hail Satan?, Luce, Adam, Sweetheart and Corporate Animals.
When writer/director Martin McDonagh strips his characters of their goodness, he allows the audience to consider their redemption.
A forced romance, lackluster execution, and a tendency to pander to its audience makes IO come up far shorter than it otherwise could’ve been.
In our sixth report from the 2019 Sundance Film Festival, we cover Clemency, The Souvenir and Light From Light.
A haphazard concoction of cliches with a sugary sweet coating, Berlin, I Love You lacks any of the qualities that make the titular city so special.
Polar is as by-the-book as an action film can be, and that book isn’t even a very interesting one.
Dan Gilroy has stepped out of his comfort zone with satirical horror Velvet Buzzsaw – and the results are mixed, to say the least.
For Kristy Strouse’s first report from Sundance, she was able to experience VR projects, in addition to speaking with one of an exhibit’s creators.
Piercing is an absolutely weird, kinky, stylish film that might not be to everyone’s taste; it is guaranteed to thrill some filmgoers and offend some others.