Trust Machine: The Story of Blockchain from director Alex Winter is a ride worth taking and asking how will you imagine the world.
Unfortunately, the ill-conceived story of Ben is Back does not shine light on the opiod crisis, creating a seedy, underground world that the uninitiated can never comprehend.
With Archie hidden from authorities, a potential murderer on the loose in Riverdale and the veil between reality and the supernatural seemingly thinning, there was a lot to take in throughout “Manhunter.”
While the pacing, meandering plot, and showy camerawork will prove challenging to some viewers, the rewards of Roma are well worth the effort.
With the unfortunate shutdown of FilmStruck, we now have the Criterion Channel – which may be a worthy alternative.
The Clovehitch Killer is a creepy coming-of-age serial killer noir with a well-written script, three-dimensional characters and a career performance by Dylan McDermott.
A Moment in the Reeds uses strikingly intimate storytelling to give an important voice to the struggles of sexual and ethnic minorities in our society.
Happy Death Day 2U capitalizes on the unexpected success of Happy Death Day and sees the return of director Christopher Landon and stars Jessica Rothe and Israel Broussard.
November saw the release of three Robert Altman films on Blu-ray: Brewster McCloud, The Gingerbread Man and Gosford Park. We delve into the last two.
If you’re forced to watch The Christmas Chronicles with your family this holiday season, hold on for that Kurt Russell musical number and you’ll be just fine.
Nightmare Cinema is the perfect anthology movie, with each short containing enough wild ideas and moments to hook in an audience no matter what kind of horror they like.
In Mortal Engines, a young woman joins forces with an outlaw and an outcast to lead a rebellion against a giant predator city on wheels.
Hiroshima Mon Amour deals with the aftermath of a war, but primarily focuses on two peoples’ romance, which inspired future French New Wave directors.
Anyone outside of the teenage demographic will be left rather annoyed with The American Meme, not by Marcus’ talents but the talents within the documentary itself.
At the 5th San Francisco Dinner with Dames, Cinefemme gathered a group of women filmmakers to dine with Kathleen Grace, CEO of New Form Digital.