We spoke with David Ian McKendry, director of All the Creatures Were Stirring, about why the genres of Christmas and horror work so well together.
Thanks to its inventiveness, effective execution and originality, All the Creatures Were Stirring is bound to be another Christmas horror classic.
A comedy with Haddish, Sumpter and Goldberg is a nice idea, but Nobody’s Fool soon makes you realize that you have been cat-fished.
While Creed II does not reach the fantastic heights of Creed, it still puts up plenty of fight to prove itself worthy.
In FIghting With My Family, a former wrestler and his family make a living performing at small venues while his kids dream of joining WWE.
For Dinner With Dames #18, Cinefemme gathered a group of women filmmakers to dine with the night’s mentors, Erica Lee & Esther Hornstein, president and creative executive at Thunder Road.
Owing mostly to the funny duo of Mark Wahlberg and Rose Byrne, Instant Family somewhat succeeds, though its switch to full-out drama by the end is jarring, to say the least.
Newly reissued via Kino Lorber, screwball comedy Nothing Sacred and delicate domestic drama Made for Each Other show two sides of Carole Lombard.
Robin Hood seems to have a set of requirements to meet, and it gives the bare minimum when meeting them.
The Truth About Killer Robots is an essential part of the ever-evolving debate as to where our civilization currently is, and where it may ultimately be heading.
It is a shame when a movie like Hell Fest this is let down by the very reason for its existence – a slasher movie is only as strong as its slasher and the fear that slasher creates.
This month’s Staff Inquiry is all about our most beloved examples of film noir, picking from the classic era of the ’40s and ’50s.
The Ballad of Buster Scruggs is some of the Coens’ best work: the storytelling is so delicate and precise, like a beautiful poem squeezed of every superfluous word.
Hanna Fidell and co-writer Carson Mell accomplished a feat rarely seen with The Long Dumb Road, a believable wacky comedy.
The Grief of Others examines how time can only heal wounds if we let it through intentionality and a sense of vulnerability that can be simultaneously scary and painful.