In The Girl in the Spider’s Web, hacker Lisbeth Salander and journalist Mikael Blomkvist find themselves caught in a web of spies and cybercriminals.
The Changeling has built up a devoted club of admirers and its influence on films such as The Ring and Annabelle have seen it reclaimed by many as the grandfather of the Conjuring Universe.
We spoke with actress Carla Gallo to discuss her latest film, Room for Rent, its unconventional path to fruition, growing up on screen and more!
Some scenes have a lasting impact – the Film Inquiry team dredges up some of the most gruesome and horrifying scenes that they couldn’t ever forget.
S. Craig Zahler’s loyal cult following will find much to love with Dragged Across Concrete, although first time viewers will find it a difficult watch.
Film Inquiry’s Tessa Bahoosh writes about one of her favourite films, The Blair Witch Project, and how its existential dread still resonates today.
Possum is an impressively chilling debut from Holness and credit must go to the director for taking a risk on a darker affair.
The Super has the occasional moment of great horror filmmaking – but not enough to make it a super film.
In the Japanese films Your Name and My Tomorrow Your Yesterday, a similar theme can be formed, that of the Time Travel Dream Girl. We discuss what that means in the context of each film.
How To Get Away With Murder delivers its strongest episode of the season to date, a powerful hour that tightens its focus and propels us forward.
Although Wunderland purports to be a sincere tribute to a real event, it never finds the time to say or suggest anything about war, courage, or death.
Once again, Riverdale weaves its magic, interlacing strands of its enticing mystery through each subplot, character and entity within the series, sharpening its focus on Archie and the Gang.
22 July begins as an urgent and devastating film, before suddenly turning into a never-ending slog, destined to leave viewers wondering where things went wrong.
After failing to get the film out of production hell for so many years, it’s no surprise The Man Who Killed Don Quixote feels world weary and cynical.
The Hate U Give is an important film; it understands the suffering poor communities go through, and how economic circumstances can enflame racial tensions.