Offering a backstory to the infamous tale of Arthur and his Knights of the Round Table, Excalibur excels in its fantastical showcase delivering a story that is still fresh and grand today.
Stephanie Archer rounds up some of her experiences at 2018 Tribeca TV Festival, including two conversations with Bryan Cranston and Rosario Dawson.
Feeling quite like a standalone episode, “The Unicorn in Captivity” the focuses the action on the villainous end of the cast while Dr. Venture has a plot that offers up silliness.
In a decade over-saturated with cheap nostalgia, it is a delight to see a film about the 90s that doesn’t try to be about the 90s; Mid90s tells a timeless story of self-discovery.
With many of Film Inquiry’s staff attending London Film Festival this year, we will be covering many of the festival’s hidden gems.
Our last report from this year’s TIFF includes reviews of the latest offerings by Frederick Wiseman, Paweł Pawlikowski, Christian Petzold, and more!
Kenneth Branagh and Joss Whedon have each put their unique stamp on Shakespeare’s classic Much Ado About Nothing, and both are essential to the canon.
A hard pill to swallow, Assassination Nation is a blunt, antagonistic, but masterful film, guided by a director who can so easily weave in between political horror, social injustice, dark comedy, and teen comedy.
Polterheist fails to succeed as a comedic or horrifying film, finding no progression of plot but rather further perpetuates racism, misogyny and homophobia.
Despite the attempt to be original with a subtly spooky fogginess, Slice is a sluggish creation, doling out little bits of plot information at an unhurried pace.
The Dawn Wall is a near-perfect documentary that tells the extraordinary story of free climbers Tommy Caldwell and Kevin Jorgeson exceptionally well.
In Viper Club a war correspondent gets taken hostage, prompting his mother, impatient with the government’s lack of concern, to take matters into her own hands.
It’s uncommon for a film to have scenes of vulgar comedy and yet be heart-wrenchingly emotional – but All About Nina is bold, and deserves your attention.
Unfortunately, 1992’s Sidekicks, which is a vehicle to show Chuck Norris as the greatest action star, is a sloppy project for his talents.
Though Nappily Ever After begins as encouragement that Black women embrace their natural beauty, it soon feels like a judgment of women who put effort into their appearance.