We spoke with director Ramaa Mosley about her new film Lost Child, and about just going out there and making the movie you want.
Nicolas Cage stars in Between Worlds and Tunisian filmmaker Abdelhamid Bouchnak delivered an excellent horror – this is our second report from Austin’s Fantastic Fest.
The colorful, stylistic flourishes of 306 Hollywood makes it stand out among documentaries as something truly unique – an ordinary woman’s life rendered into an extraordinary film.
Though Carmine Cangialosi’s American Dresser has endearing moments, both Berenger and David have been on adventures far more befitting the ‘ride of a lifetime’.
In Halloween, Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree four decades ago.
So, NASA wants to take us to Mars soon, but what are we going to eat? We can now grow food in space, and engineers were inspired by Star Trek’s aeroponics!
Luca Guadagnino’s remake of Dario Argento’s Suspiria seeks to get under your skin, intimately and irreversibly – and succeeds in doing so.
Las Vegas Love Stories is a charming homage to falling in love, with each short inventively embellishing six couples falling in love, whether it be literally or figuratively.
It’s not often that a Venture Bros. episode feels like filler, but “The Unicorn in Captivity” definitely felt like the creators were moving pieces into place for the endgame.
Hazem Fahmy reports on the films he saw at Fantastic Fest 2018 in Austin, Texas: A singular Japanese ode to horror, a disappointingly clichéd horror and a French queer film that pushes buttons.
The saying goes that the story writes itself, but White Boy Rick shows that even the best tales can be crafted into a boring, listless film.
Paul Feig’s latest, A Simple Favor, sees him unshackle himself from his comedy ties – unfortunately, the result is a subpar Gone Girl wannabe.
With some of his most impressively staged set pieces to date, Hold the Dark proves that Jeremy Saulnier is one of the most assured genre filmmakers working today.
Our penultimate Toronto International Film Festival report brings you a review of Palme d’Or winner Shoplifters, plus films by Jia Zhangke, William McGregor, and more!
It’s easy to call this season “more of the same”, but for a show as good as BoJack Horseman, that’s a compliment.