With two likable stars playing unlikable characters, some witty repartee that borders on being too wordy, and an overuse of its finer points, Destination Wedding ends up getting lost in execution.
What began as a slow burning episode quickly descends into suspicion, shame and further confusion…
We spoke with Dominic West who is currently starring in Colette (and known for The Wire and The Affair), about fame, women’s voices in film and more.
Making Montgomery Clift reminds us that the legendary actor was a mortal being, fallible but also fiercely independent.
In Captain Marvel, a woman becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.
For Dinner With Dames #17, Cinefemme gathered a group of women filmmakers to dine with the night’s mentor, Tammy Wood, Executive Producer of Twisted Sisters, Betrayed, and more.
Due to some finer details, The Land of Steady Habits is not unsatisfying per se, but it also has no staying power.
Tea With The Dames is a charming documentary, offering the once in a lifetime chance to spend ninety minutes in the company of four iconic actresses.
The Silence of Others reveals the struggle of victims of Spain’s 40-year dictatorship under General Franco, who continue to seek justice to this day. We spoke with directors Robert Bahar and Almudena Carracedo.
Wash Westmoreland speaks about his upcoming film Colette, its journey from script to screen, the casting process, and much more!
In our latest report from the Toronto International Film Festival, we look at new films by Xavier Dolan, Alex Ross Perry, Karyn Kusama, and more!
We spoke with Denise Gough, who stars opposite Keira Knightley in Colette, about her gender defying character, and how she hopes it begins some positive change.
Australian writer-director Kosta Nikas’ Sacred Heart is a mature, thoughtful, and dramatic piece of filmmaking for a first-time feature director.
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
Not bad but rather bland, The King of Thieves is too simply constructed to fully capitalise on its solid cast and compelling true-life crime story.