Castle Rock’s “The Box” left our arm hair raised, and adequately poised for what will likely be a strong second half of the season.
The Miseducation of Cameron Post hits on a topic that is contemporary and significant but it never handles this in a way that feels, for want of a better word, preachy.
Godzilla: King of the Monsters is the next chapter in the cinematic MonsterVerse, which pits Godzilla against some of the most popular monsters in pop culture history.
Night Comes On is a compelling depiction of loss, America’s system set up to fail people of color and the resilience of the human soul.
With a plethora of source material, Stephen King has become the king of Hollywood adaptations, with both failures and successes terrifying viewers of all ages.
The Eyes of Orson Welles is an introspective look at the legendary man; in addition, we were able to talk with Mark Cousins, the director of the film.
There’s certainly fun to be had with this deeply silly slice of R-rated raunchiness, yet The Spy Who Dumped Me struggles to balance its crass brand of humor with shocking bursts of carnage.
With Cold War, Pawlikowski has crafted his most ambitious project yet; a portrait of a tortured relationship starting in late 1940’s Poland, climaxing in the early sixties.
Warm up your pipes and put on your dancing shoes, because this month’s staff inquiry…
Film Inquiry’s Kristy Strouse got to talk to filmmaker Louisa Fielden about her very timely short film People You May Know.
With complicated and charismatic women at its center, Madeline’s Madeline manages to keep you hooked and never stops being fascinating to watch.
Some may argue that Ripe, as with the previous three hours, takes the idea of ‘show, don’t tell’ a little too far; but that very concept is what ensures that Sharp Objects is the most compelling piece of work currently on television.
In 1850s Oregon, a gold prospector is chased by the infamous duo of assassins, the Sisters brothers.
Scotty and the Secret History of Hollywood is a delightful look behind the curtain at a side of Hollywood kept so long in the dark.
My Erotic Body shows that a woman’s true erotic self is not defined by a specific body type, age, or what society deems as attractive.