The Lighthouse is one of the best locked-room dramas that Britain has ever produced, and it works as an impressive showcase of the talents behind it.
We were able to talk to Matthew Ross, writer and director of the upcoming crime thriller Siberia about his brief but prolific filmmaking career, working with Keanu Reeves, and more.
Us and Them is an extraordinarily impressive directorial debut from Rene Liu that will leave you contemplating the best and worst of romance.
Mannered, but direct, like the institution it portrays, Ex Libris is an open book that invites any inquiring mind to explore its many avenues.
Ant-Man and the Wasp is an enjoyable blend of superhero action and familial comedy, with a strong central cast to make everything work well together.
When a young boy accidentally triggers the universe’s most lethal hunters’ return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.
The first hour of Sharp Objects thrillingly lays the foundations for a series already digging its claws into anything that moves, in one of the strongest season premieres of the television year to date.
Boom For Real is an eye-opening look at how one unique artist was molded and inspired by the time and place in which he lived.
The Year of Spectacular Men might spin its wheels and veer off course, but there’s still some fun to be had by these spectacular women.
Sicario: Day of the Soldado is an empty shell of a flick, one that tries to emulate the success of the first but lacks all the components that made it so brilliant.
In Welcome to Marwen, a victim of a brutal attack finds a unique and beautiful therapeutic outlet to help him through his recovery process.
In this part of the Fantasy Science column, we’re diving into the scientific underpinnings of Ant-Man’s power: resizing and going “subatomic”.
By showing Cecil Beaton the respect he deserves, while also not shying away from the less pleasant sides of his personality, Love, Cecil is a perfect tribute to all of the contrasting sides of this multifaceted, multi-talented artist.
Hard to comprehend, The Icarus Line Must Die has a strange dream-like atmosphere that seemingly evades definition.
Eighth Grade is the messiness of the teenage experience confidently articulated by a first time filmmaker with an innately humanist streak.