We spoke with Andrew Fleming, writer/director of IDEAL HOME, about reuniting with Coogan, the current state of the film and TV industries, and more!
We got a chance to speak to director Finlay Pretsell of cycling documentary Time Trial after it played at Sheffield Doc/Fest.
It’s hard not to think of Jurassic World: Fallen Kingdom as just a rinse-repeat of nearly every other film in this now 25-year-old franchise.
Can we work together to find a solution? It’s a reality that needs further acknowledgement, and It Will Be Chaos does an admirable job of giving us perspective and bare-boned stories of resilience and courage.
Alpha is a story of survival set 20,000 years ago during the last Ice Age, directed by Albert Hughes.
In our latest entry of Anarchic Cinema, we discuss the birth of Japanese V-Cinema and the contributions of Takashi Miike.
With no clever jokes and not enough scares to build any real suspense or fear, The Night of the Virgin falls flat.
Musanna Ahmed attended this year’s Sheffield Doc/Fest and shares his interview with Inka Achté, director of documentary Boys Who Like Girls.
During its best moments, Set It Up slaps a goofy smile on your face while delivering simple comedic pleasures and worth the watch for Deutch and Powell alone.
In Eighth Grade, a teenager tries to survive the last week of her disastrous eighth-grade year before leaving to start high school.
In this new Fantasy Science, we are revisiting the Fermi Paradox: if there are so many galaxies and planets out there, why haven’t we found evidence of alien life?
In the latest Away From the Hype installment, Sean takes a look at Avatar, James Cameron’s Oscar-winning motion capture landmark, and if it still holds up after almost 10 years.
Kristy Strouse shares her interview with director Debra Granik, discussing survivalist training, PTSD and her new film Leave No Trace.
25 years since its release, Jurassic Park still terrifies, inspires and fascinates the minds of viewers young and old.
Leave No Trace is Debra Granik’s first fiction feature in eight years, and proves that she is one of the social realist filmmakers most urgently needed in cinema right now.