It’s a tough time in Hollywood for the male elite at the minute, as their history of heinous behaviour towards women gradually becomes common knowledge.
While fairytale romances feature in tons of Bollywood films, Lust Stories gives insight into the modern Indian woman and the role she plays.
Ali’s Wedding is an unabashed presentation of a Muslim love story that feels both brave and necessary.
Hover is an expertly crafted horror film focusing on a future almost too close to home. Cleopatra Coleman stands out for her remarkable performance and wonderfully crafted and memorable script.
In Creed II, newly crowned light heavyweight champion Adonis Creed faces off against Viktor Drago, the son of Ivan Drago.
Despite promise and an interesting concept, Zen Dog in anything but unique disintegrating into a series of indie tropes.
Elena Miliaresis’ documentary While Time Stands Still tells the story of the hardships of military families – Laurie Agard considers the psychological aspects.
In this in-depth conversation, we spoke with Boots Riley about his artistic influences, the “2018 Rat Pack,” as he calls his cast, his seven-year journey of getting Sorry To Bother You made, and more!
Hearts Beat Loud rings emotionally true, and is heartwarming in its portrayal of youth, old age and perfect pop music.
Musanna Ahmed attended this year’s Sheffield Doc/Fest and shares his review for A Northern Soul and his interview with director Sean McAllister.
Guest author Brooke Whipple analyzes the representation of gender in Invasion of the Body Snatchers, and how it foreshadows humanity’s destruction.
We spoke with Sophie Skelton about her new film, 211, what it’s like working with a veteran like Nicolas Cage, and also what fans can expect from season four of Outlander.
The Color of Pomegranates offers an experience of careful, questioning celebration that combines appreciation of artistic beauty with cognizance of worldly suffering.
Despite a strong cast and scattered moments of inspiration, Superfly is sorely lacking in consistency on both a visual and narrative level.
Much like a drive along Australia’s expansive coastal roads, Just Between Us is a breezy, casual ride that doubles as a nice nature documentary on the sunny side of Australia.