Sometimes a film’s low budget can get in the way of its narrative, cohesiveness, and overall watchability. However, viewers won’t be disappointed with Counterfeiters and its quality.
In this Beginner’s Guide, we look back on the Marvel Cinematic Universe (MCU) so far and pick out the most important films to watch from the collection.
In Films of The New French Extremity, Alexandra West studies French horror films which are known for graphically brutal depictions of sex and violence.
Stephanie Archer reviews Creative Block, a short film that views the blocks of the mind, and shares her interview with director Nicola Rose.
American Animals’ artistic merits are not enough to make the men at the center of the story worth caring about for its duration.
Inka Achté’s documentary BOYS WHO LIKE GIRLS chronicles the efforts of an organization in India to educate boys and men on pressing gender-based issues.
It’s rare that composers adapt themes and pieces, but Michael Giacchino’s bold steps to make everything he composes personal makes him stand out as one of contemporary cinema’s leading composers.
It isn’t the glossiest documentary, and there isn’t a significant style or a comfortable flow, but what Evil Genius lacks in pizzazz in makes up for in persistence and unearthing.
Italian-American filmmaker Jonas Carpignano has shown in only his second feature, A Ciambra, to be one of the most empathetic social realist filmmakers working today.
With a divide between masterful filmmaking and a hard to buy love story, audiences will find Adrift enjoyable, but with a disposable romance.
In Guadagnino’s Suspiria, a darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Sarah Paulson fits the criteria of great actors. She has range and stamina, two incredibly important things to have in Hollywood.
Boys For Sale dives into the world of the urisen (also known as “boys”) that are paid to have sex with other men. Brought in by the allure of a high paying part-time job, urisens have to learn to navigate the industry as they go.
Uniting four legends of the screen for a shot of summer silver screen cinema, Book Club is every bit as formulaic, disposable and harmless as you would expect.
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.