Lu Over the Wall combines a basic coming-of-age story with folkloric legend to concoct a tale of self-discovery that is incredibly messy, but also very beautiful.
Though struggling with its initial attempts to find its footing, Deadpool 2’s overall sense of exuberance and self-aware nonsensicality is still evident throughout, showcasing both David Leitch’s talent to direct action and Reynolds’ commitment to his character.
In Leave No Trace, directed by Debra Granik, a father (Ben Foster) and his thirteen year-old daughter (Thomasin McKenzie) are living in an ideal existence in a vast urban park in Portland, Oregon, when a small mistake derails their lives forever.
Gus Edgar reports from Cannes Film Festival, where he saw Solo: A Star Wars Story, Lars Von Trier’s The House That Jack Built, and more, and lists the winners of the festival’s Awards.
Though Duck Butter’s attempts to distinguish itself in an overloaded genre are admirable, it is unfortunately too undercooked to be a fully-fledged success.
Lee Jutton had the chance to sit down and talk with the executive producers of PHENOMS, a new soccer documentary series, Mario Melchiot and David Worthen Brooks about how they chose their subjects and some of the most powerful moments they captured on the camera.
Alex Lines reports on his time during 2018 The Golden Koala Chinese Film Festival, held in Australia, and the films he was able to see: Interval and Fist & Faith.
Life of the Party may be one of the weaker comedies to come from Melissa McCarthy in a leading role, but it’s entertaining, pleasant and harmless enough to warrant your attendance if you’ve been taken by McCarthy’s previous work with Ben Falcone.
Gaspar Noé is back with a controversial film – this is the trailer for his latest, CLIMAX, starring Sofia Boutella.
Zac Hestand takes a look back at the comic movie classic Batman Returns and how its overload of villains spawned an industry standard.
We were able to talk with the great Paul Schrader, director and writer of the upcoming film First Reformed, out on May 18th.
Overboard takes the basic structure of the original film and gives it a modern update, with Eugenio Derbez and Anna Faris both giving enjoyable and endearing performances while not losing all the screwball charm of the original.
It may sound like exploitative torture porn, but Revenge introduces director Coralie Fargeat as a filmmaker worth your attention – taking problematic genre tropes and subverting them into a vital, exhilarating feminist film.
Desperate to win the tournament and the cash prize, Dax stumbles upon the man, the myth, the legend UNCLE DREW (NBA All-Star Kyrie Irving) and convinces him to return to the court one more time.
In our latest Away From the Hype, we examine The Blair Witch Project, seeing if the classic found footage horror still holds up after all this time.