A searingly authentic piece of work, Cardboard Gangsters brings complexity and surprising humanity to a world of gangsters, persuasively evoking the lives of marginalized people.
D’Inked: A Tattoo Removal Documentary delves into the world of tattoos and the people who subsequently decide to have theirs removed, showing the arduous process and how it has changed the culture of tattoos.
With sophisticated cinematography and aesthetics, The Strangers: Prey at Night and its moody semblance of survival preserves dread just enough to deserve its place in slasher cinema.
Wild Wild Country is highly intriguing, captivating its audience from the very beginning, provoking sincere emotion and proving itself to be wild indeed.
We were able to talk with Marja-Lewis Ryan, Samantha Housman and Ross M. Dinerstein, the director and producers of the Netflix drama 6 Balloons.
Despite some promising moments, The Vanishing of Sidney Hall never quite reaches the level of its ambition, ultimately fading in the background amongst more prominent films about the art of writing.
Japanese director Hirokazu Kore-eda’s latest film The Third Murder is a complex, rewarding legal thriller that is a notable departure from his usual humanist approach to character studies.
Chapman and Maclain Way’s six part documentary series Wild Wild Country is an ambitious six part documentary series that needs to be seen to be believed. The directors spoke to Film Inquiry’s Kristy Strouse about making this monumental project a reality.
Get ready to follow a new mystery from David Robert Mitchell in Under the Silver Lake, which looks to be a nice stretch from his breakout, It Follows.
In our latest entry of The Nominated Film You May Have Missed series, we discuss the 1995 timeless classic Sense and Sensibility.
Relying heavily on the personal over the historical, 1985 is a gripping reminder that the social drama need not be loud and tumultuous for it to be effective.
Though it is too perfectly machine-tooled to appeal to British pensioners, Finding Your Feet is a charming and funny ride.
Most Likely to Murder may not reinvent the wheel of holiday films, but its subversion of the genre, especially its willingness to fully indict and satirize its own protagonist, gives us ample reason to invest interest in the future of director Dan Gregor’s filmography.
A cast like I KILL GIANT’s (Zoe Saldana, Imogen Poots, Madison Wolfe) should help out director Anders Walter, who is making his feature debut with this tricky material.