Happy End is a disappointing effort by Michael Haneke, displaying almost none of his visual appeal, prominent themes, or strong performances.
In Game Night, a new Netflix film, a group of friends attend a game night and find themselves investigating an actual murder mystery.
They are the scoundrels, the miscreants, the agents of chaos, and you can’t keep your eyes off them: these are our favorite villains!
With a weak and unfocused plot, Todd Haynes’s Wonderstruck feels like a love letter that isn’t quite sure who it’s addressing.
24 Hours to Live may be riddled with plot holes and clichés, but thanks to a committed Ethan Hawke and some fun action, it’s a decent time.
With Bombshell: The Hedy Lamarr Story, Alexandra Dean shows who Lamarr truly was: a genius inventor who was denied recognition most of her life.
Being a big fan of horror, I’m always keeping track on the new films that…
The heart of Daddy’s Home 2 is lost by formulaic tendencies and its overbearing insistence on being funny. It’s no future Christmas classic.
Wonder may have all the trappings of passable family-friendly fare, but it is jumbled, unfocused, and far too unbelievably sappy.
The Mercy is the latest in a long line of esteemed British biopics, but this one leaves behind tidy interiors for the fury of the open sea.
Actors often become typecast in certain roles, but here are some performances where they took a chance to do something remarkable instead.
The Florida Project offers a unique and essential glimpse into contemporary poverty in America, encompassing both its wonders and hardships.
Musanna Ahmed spoke with Ramsey Denison, director of documentary WHAT HAPPENED IN VEGAS, about police corruption and filmmaking.
It may have been sat on the shelf for three years, but Angelica is worth the wait- a slow burning period piece that’s quietly powerful.
Nightcrawler’s Louis Bloom is worthy of our criticism, but it is also easy to overlook how flawed his colleagues (and viewers) truly are.