I Was a Dreamer is a mostly successful biographical film about a man seeking redemption, unique for having its lead character play himself.
Mudbound follows two men who return home from World War II to work on a farm in rural Mississippi in this new film from Dee Rees.
Premiering back in 1984, Buckaroo Banzai has long been a prized cult classic, though perhaps one that is lesser-known in the wider world.
Literally, Right Before Aaron is a hugely entertaining romantic comedy which doesn’t shy away from the awkward realities of real life.
Alex Arabian spoke with Tom Hughes about new film REALIVE, his excitement about the film, and his desire to keep finding challenging roles.
Abundant Acreage Available is a simple package of meditation about life and death you will be thinking about long after the film has ended.
In his fifth report from Toronto International Film Festival, Tomas Trussow shares his thoughts about Breathe, Darkest Hour, Caniba and more.
Directed by Angelina Jolie, First They Killed My Father is a testament to the craft of film to tell heartbreaking, devastating stories.
Our latest Staff Inquiry deals with our favorite years in cinema, and our picks ranged from classic Hollywood to more modern day.
Chloe, Ryan and Alistair of Film Inquiry are attending BFI London Film Festival, and share some of their first impressions!
David Fontana discusses four foreign films from this year’s NYFF, ranging from a historical epic to a German take on the American Western.
Beach Rats may have a lot of superficial similarities with Moonlight, but director Eliza Hittman’s film is a triumph in its own right.
Lucky is the unfortunate but beautiful swan song of Stanton, one that truly earns the oft overused phrase, “the performance of a lifetime.”
NICO, 1988 is a biopic following one of Andy Warhol’s muses who sang with The Velvet Underground in the 1970s.
Steven Soderbergh’s Logan Lucky is one hell of an enjoyable ride that leaves you feeling lucky to have been along