Abishek Bajaj, director of M.I.A. A Greater Evil, shares his stories of shooting in the Thai jungle, which included unexpected visits of snakes, elephants and more.
Writer Arlin Golden sat down and talked with Neasa Ni Chianáin, director of the upcoming Irish documentary School Life.
School Life has heart, it has laughs, and it is hands down the feel good movie of the year. Go see it and take as many people as you can.
Despite a semi-autobiographical approach to the mental illness theme, Elizabeth Blue feels cliched- and suffers from a dreadful finale.
mother!, Darren Aranofsky’s polarizing film, is doing poorly at the box office – just what does that mean for the future of studios?
Thirst Street may be deficient in the character department but it more than makes up for it with its stylishly vivid visuals.
The Tiger Hunter is a fun, yet ultimately uninspired film about the immigrant experience, reinforcing stereotypes instead of offering up anything new.
Red Trees is a poignant look at the Holocaust through the eyes of a survivor; we also spoke with director Marina Willer.
For Dinner With Dames #10, Cinefemme gathered a group of women filmmakers to dine with Byron Willinger, writer of The Commuter.
Only the Brave tells the story of the Granite Mountain Hotshots: a team of elite firefighters who fought the 2013 Yarnell Hill Fire.
The film adaptations only scratched the surface of JK Rowling’s world- the Harry Potter franchise needs a Game of Thrones style TV reboot.
Home Again is a stale romantic comedy that feels like a waste of the talents of everybody involved, feeling boring and aimless throughout.
Second Nature is a feel good goofy date night comedy that takes a poke at gender roles and has a fun cast of characters running the show.
NOVITIATE follows a young woman on her journey to become a nun as the Roman Catholic Church while undergoing radical changes.
Not all recycled ideas are created equally – many can be terrible, while some can excel. Here Zac Hestand presents the six levels of Rip-offs.