Straight Outta Compton brilliantly displays the legendary gangster rap group N.W.A., and masterfully captures their world.
Happy Hour excels in every way a narrative film can, leaving no stone unturned in its examination of different aspects of social life.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
Todd Haynes’ experimental film Wonderstruck is set in both the 20s and 70s and offers up an interesting take on its source material.
Fat Camp may be generic in both story and direction, but it has enough charm and heart to make up for some of its shortcomings.
Transformers: The Last Knight is a surprisingly engaging film for the franchise, bringing the series in an interesting direction storywise.
The Aubrey Plaza starring comedy The Little Hours has caused controversy in the catholic community – but is it detrimental to the religion?
The Snowman is a moniker the killer of this film has given himself, leaving themed clues (and bodies) for detectives to find.
The most absurd assumption about saying films “transcend genre” is that works of genre are somehow so trivial that they are apolitical.
The Persian Connection is a bold, tense, and thrilling film, even if its thematic reach just exceeds its grasp.
Wish Upon takes a brilliantly fantastical concept and squanders its potential, relying on cliched characters and lifeless jump scares.
Watch an exclusive clip of the film THE PERSIAN CONNECTION, which is getting a VOD release on July 25th 2017.
In multiple languages, and in roles both large and small, Bruno Ganz has managed to bring an empathetic grace to every character he plays.
Christopher Nolan’s terrific anti-war film divorces itself from any political interpretations to bluntly show the horrors that unfolded at Dunkirk during World War II.
Girls Trip is a gut-bustingly funny gem that is not only good for a girl’s night out, but it has a little something for everyone.