Colossal is a fantasy-oriented film about a kaiju monster that somehow manages to be both emotionally effective and profound.
Losing Sight of Shore is an inspiring and empowering documentary about four women who crossed the Pacific Ocean in a rowboat.
Unforgettable is an attempt at a provocative erotic thriller, but it relies on overused tropes and cheap parlor tricks to get it done,
The secret agency returns in Kingsman: The Golden Circle, which looks to be following the same formula as Secret Service, right down to committing one of the biggest Bond sins: going American.
The Lost City of Z is a work about a British explorer that triumphs in visual splendor, forming an identity as a meditative outlook on life.
Though Rules Don’t Apply is beautifully shot and contains a tender romance, the two stories of the film collide, making it an uneven venture.
A documentary about the famous murder case, Casting JonBenet combines interviews with reenacted footage in an unconventionally effective way.
Two great performances are wasted in Rupture, a mess of a horror movie which sets up mysteries it doesn’t even know how to answer.
We’re all film nerds here, so Score: A Film Music Documentary should be an easy pitch. It’s a movie about film scores featuring a raft of composers. You’re in, right?
Film Inquiry writer Alistair Ryder sat down and talked with Woody Harrelson about his live one-shot directorial debut, Lost in London.
Filmed live, and in one continuous take, Lost in London is a film that could seem gimmicky, yet succeeds due to its expert comedic timing.
Harold And Lillian: A Hollywood Love Story is a beautiful tribute to two unsung heroes of the film industry and their decades spanning relationship.
Candice Onyeama discusses the importance of her short film Hush to for herself, and about identity and those suffering from mental health.
Stephanie Archer reports on her second day at the Tribeca Film Festival 2017!
In this analysis of 2007 film Lars And The Real Girl, we talk about how Lars’s delusions are very similar to how we find catharsis in film.