We had a chance to talk with Emily Keating, the Director of Education for Created Equal, a civil rights and film program for kids in Brooklyn.
Berlin Syndrome is aligned with many kidnapping narratives, but it suffers from an unfocused approach, but in subject and character focus.
This World War ll film is entertaining, though unfortunately Their Finest doesn’t really impress as it should.
Churchill is one of two biopics on the legendary leader coming in 2017, this one starring Brian Cox as Churchill & John Slattery as Eisenhower.
James Gunn has made a name for himself for his gloriously offensive yet emotionally poignant films; here is a rundown of his filmography.
With the festival entering its final day, and my screenings complete, I thought my time…
Sofia Coppola’s The Virgin Suicides is a film about five sisters that is often dismal and dark, yet it also conveys powerful feminist themes.
Tramps may be a rom-com story we’ve all seen before, but it’s done with charming and nuanced touches that make it a joy to watch.
We celebrate Donnie Darko’s 15th anniversary by reconsidering some of its themes, which are simpler than the movie makes it seem.
Lady Bloodfight is full of frenetic, full-blooded fight scenes between a diverse array of badass women that will not disappoint.
Barry Jenkins’ work before Moonlight is freely available on his Vimeo account, and we’re taking a deep dive into his terrific work.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, red carpet events, interviews, reviews and more!
With poor direction, effects and performances across the board, The Black Room is unbearably difficult to sit and watch.
We spoke with London-based director James Hughes about his short film THE NOMOPHOBE and the implications of smartphone addiction.
The House stars Amy Poehler and Will Ferrell as normal parents, who turn their house into a casino to fund their daughter’s tuition.