Join us in our challenge to watch only female-directed films for an entire week, and find out how hard that actually is.
Gifted is grounded and gritty, on a mission to make you laugh, make you cry, make you root for the good guys while booing for the bad.
Though inspired by the erotic thrillers of the ’90s, Bad Girl ultimately fails to do anything original or exciting with its material.
Chuck once boxed Muhammad Ali, but he still handles a parent-teacher conference like a bull in a china shop. Check out the trailer.
Reservoir Dogs, though seemingly a time capsule due to having premiered 25 years ago, is actually quite potent in today’s post-truth world.
As one of his final curtain calls, Limelight is a sterling reminder of Charlie Chaplin’s contributions to culture and the art of cinema.
Wilson is as gleefully profane and heart-wrenchingly tragic film, that lives up to its creator’s legacy as a storyteller.
It’s become the norm to watch bad movies to make fun of bad movies, but why don’t watch them just because they’re a ton of fun?
Like all Godzilla films, Shin Godzilla criticises how governments respond to disasters – but in this film, it’s not nuclear, but natural disaster.
It’s no fun to criticise an aspiring filmmaker’s low budget passion project- but when the result is as misguided as Quarries, it’s necessary.
Aquarius is a powerful character study about a woman fighting back against vulnerabilities, anchored by a fine performance from Sônia Braga.
Writer/director Sarah Adina Smith and star Rami Malek inspect the trustworthiness of the human mind in BUSTER’S MAL HEART.
Gene Fallaize, director of horror feature ‘Cain Hill’ gives us some insight on what post-production typically looks like for a film!
Gorgeous black and white look aside, Six Rounds proves too underwhelming in the screenplay and character departments to be a true knockout.
Wasted characters, little humor, and lackluster action scenes make CHiPs a rather bland adaptation of the famous TV series.