We’ve long established that The Academy suffers from racial and gender bias, but could it be that there’s another bias going on at the Oscars?
A Tale of Love and Darkness is a sincere and emotionally impactful viewing experience; a great directorial debut from Natalie Portman.
Myrtle Beach takes a look at working class people within the predominantly conservative city, painting them in an empathetic, relatable light.
It Comes At Night is the sophomore effort of Trey Edward Shults, and it looks like a great claustrophobic potboiler with a great cast.
It’s quite rare that horror films are given any type of awards attention, despite their prominence in the mainstream film scene. We discuss why.
Despite initial scepticism, Rogue One: A Star Wars Story is a vividly presented and brilliantly executed standalone Star Wars film.
We spoke with Ceyda Torun, the director of KEDI – a feel-good documentary about the cats in Istanbul – about cats and “positive terrorism” and helping people restore their faith in humanity.
Don’t Hang Up is a tense and effective low-budget thriller, though it misses out on fully probing the dangers of online bullying.
Kedi is a joyful documentary that features the cats in Istanbul, Turkey, and the special connection they have with the city’s humans.
Lovesong drew strong praise after its debut at 2016’s Sundance Film Festival, and while it will enjoy only a small theatrical release, it looks like a gem worth tracking down.
Chapter & Verse is another strong reminder that stories about black lives must continue to be told—even if it treads familiar ground.
Rings is a film that falls flat on its face, failing to capture the raw and understated tension in the original American remake.
Filmed on a micro-budget, Anna Rose Holmer’s The Fits is a stunning debut feature, dealing with powerful themes of identity and gender.
Though its feel-good sentiments are hard to resist, there are simply too many tonal and structural issues that hold LION back from greatness.
Revisiting Edward Yang’s A BRIGHTER SUMMER DAY, a complex and emotional film that explores the past and the present in its 4 hour runtime.