A Monster Calls is an entertaining and beautifully presented fantasy, which also imbues deeper universal themes of grief and loss.
With LGBT perspectives at the focus, director Alain Guiraudie isn’t afraid to push boundaries in his sophomoric venture, Staying Vertical.
Times are changing in the way of television as the bond between cinema and television screens are getting stronger. An observation of current trends.
We published some terrific articles in December 2016 that you should check out in case you missed them! Here’s 10 of our favourites.
Kaili Blues is a debut feature that is inspired by many Chinese filmmakers that came before; yet it emerges as a unique and compelling film.
The Comedian looks like it might be a return to form for Robert De Niro after years of appearing in movies that haven’t done as well.
As a production company, Disney and their famous princesses have changed significantly as a response to changing social norms.
Somatic is a short film from director Will Nash, delving into complex questions of cloning and the nature of our reality.
Assassin’s Creed may be the best video game adaptation, with some dynamic action, but it still has a run of seething and frustrating flaws
Rings promises to keep the gore low, allowing a new crop of young horror fans to discover why people freak out over long-haired, pale little girls.
Monster Trucks is a live action/computer animated film that is made by a regular animation director; unfortunately, it does not go over well.
Be My Cat is a satirical found footage film that manages to poke at the superficial ideologies of filmmaking while also being entertaining.
Going in Style is an upcoming comedy about three old men who decide to become bank robbers after their employment changes.
White Girl reflects the embodiment of societal and interpersonal dysfunction while exploring the role of the body in film and in life.
Collateral Beauty is a messy film that is almost saved by its heartwarming theme and performance by Will Smith – though still not quite.