The tradition of fraternity hazing is well-known in America, with rush week on campus being synonymous with strange antics and the occasionally harried classmate. The dark side isn’t hidden, either, which 24-hour news companies jump on to fill time. Annual reports of dangerous stunts and the occasional injury or death are treated with a somber tone, questioning why collegiate-level young men take part in such ridiculous antics.
There’s a strange dichotomy surrounding the films of John Hughes, both written and directed. In one sense, there have been few directors that have so understood the angst of the teenage experience. Yet, conversely, Hughes’ depiction of both race and gender are entirely at odds with his apparent insight into the teen condition.
It would be easy to accuse The Girl with All the Gifts of being a fad product. It’s set in a dystopian future, it’s got zombies, and there’s even a chosen one-esque girl at its center. It all seems dreadfully familiar, but a bit of digging reveals that this project is anything but a studio rummaging for profit.
Frank Perry ’s 1968 film The Swimmer is adapted at length from the 12-page short story of the same name by famed American author John Cheever . It is the story of Ned Merrill (perhaps the finest performance of Burt Lancaster ’s impressive career), whose summer culminates in a trip through various neighbours’ pools until reaching his own home at the end of a large and affluent county of mansions. Only, what starts as a summer begins to feel as if it goes on for years.
By definition documentaries sound like a pretty straightforward genre; but the evolution of the genre over the years is anything but simple. While I don’t want to sound combative towards the artistic growth of any art form documentaries have splintered into so many different directions, we’re running out of terms for all of the varied sub genres. For every Michael Moore, Alex Gibney, or Errol Morris there seems to be only one Frederick Wiseman which is why his work always feels like a breath of fresh air.
Written and directed by Jon Watts with co-writer Christopher Ford back in 2014, Clown has been in the offing for some time now. Originally conceived in 2010 as a fake trailer for a forthcoming feature attraction fictively produced by contemporary horror genre guru Eli Roth, Watts’ first feature length production is a mixed bag. Blending various elements of body horror with the basic thematic structure of a domestic comedy, Clown is more silly than it is scary.
Paul Verhoeven returned to the Cannes Film Festival and to critical favor with his newest movie, Elle. Now that the unusual rape-revenge story is about to be unleashed on the wide world, the remaining question is whether it can be financially viable. Isabelle Huppert stars as said victim, who is otherwise a successful business executive and a fiercely take charge kind of woman.







