For Russian director Andrei Tarkovsky, the artist was inextricably joined to his society, both its benefits and its ills. Tarkovsky defined these colloquies between society and an individual artist as “dialectics of personality.” In other words, individual development was indefinably caught-up within personal and distant interactions with a society.
The title of horror anthology Southbound implies a deep sojourn into racist, redneck Americana, locked and loaded under a blood red, lone star. This is a Democrat’s version of hell, ruled by Donald Trump’s tentacles and all of his Republican demons, suckered into building a never ending wall between America and the rest of the world. Southbound suggests a one-way ticket to Hades, but its various characters are still on their terrifying journeys, clutching desperately to their ever diminishing morality.
While being yet another in a long line of films about broaching adulthood, Girl Asleep addresses the awkward transition using fantastical elements, which just might be the best way to capture how foreign this period of life really feels. The film is adapted from a play staged by Adelaide’s Windmill Theatre, with many of the key players being more active in the theater than the film community. Director Rosemary Myers is Windmill Theatre’s artistic director and boasts no other film credits, as does costume/production designer Jonathan Oxlade.
At this year’s San Diego Comic Con, Marvel Studios has unveiled various information regarding upcoming projects, ranging from a first look at Guardians of the Galaxy Vol. 2 to the casting of the lead of Captain Marvel. Their last project for 2016, Doctor Strange, was given a lot of attention throughout their panel.










