Heart Eyes is an ode to holiday horror-slasher films of the past, coming into a space that has been left vacant for a while and solidly planting their flag.
We’re taking a look at a documentary following a conservative musical theater production and an ensemble dark comedy about people acting out in suburbia.
Teal and orange have made a serious comeback, at least in Frederik Louis Hviid’s new…
Most movies aren’t shot on the Orkney Islands. But The Outrun isn’t most movies. Directed…
The 97th Academy Awards are an odd mix of left-field critical darlings and huge movies.…
Any chance I get to live vicariously through someone else’s experience in Japan, I’ll take…
In the end Eat the Night manages to make myself, a video-game skeptic, more of a believer of its affecting power.
Captain America: Brave New World is not the movie that will bring Marvel skeptics back to the franchise. Underneath, it’s still the same formula.
Here’s an ice-cold take: movies nowadays are too damn long. Obviously, this is all relative;…
Kicking off this year’s Slamdance coverage, we’re looking at two different styles of comedy in “Lockjaw” and “Portal to Hell.”
Sundance this year has Twinless, an audacious exercise in storytelling, and Train Dreams that is equally as compelling.
Love Hurts is still worth a watch, if only for Quan’s tour-de-force performance.
Armand is at its best when it serves as a showcase for its quartet of talented lead actors.
Heartstopper displayed- and with three seasons thus far, has continued to depict- a nuanced and vibrant portrait of life as an LGBTQ+ youth.
These practical steps forward are redefining what’s possible when creativity meets conservation in the filmmaking process.