From SXSW we take a look at Drop, Death of a Unicorn and Slanted!
In this For the Love of Horror, Film Inquiry takes a look at the Public Domain horror space.
Aleksandr Ptushko films represent a style of cinema that feels lost to time. They give a reminder of the kind of creativity, craft, and imagination that filmmaking can have.
A crazy quilt horror comedy like Dead Lover is likely not to everyone’s taste, but this film’s playful, undead spirit is contagious.
Julie Keeps Quiet is a smart and sensitive debut that succeeds in telling a story about abuse of power while empowering, rather than exploiting.
Plankton: The Movie encapsulates a troublesome and growing safeness in kids’ shows that is far better left behind.
If you like action comedy films that actually have a bit of a story, great action scenes, funny jokes, and a lot of heart, Novocaine is the perfect fit.
Bob Trevino Likes It is a truly wonderful piece of cinema, both heart-wrenching and life-affirming in equal measure.
In Mola: A Tibetan Story of Love and Loss, we see the tale of a woman of faith, her family, and how important those connections are.
Film Inquiry spoke with Yangzom Brauen, Martin Brauen and Michael Raimondi for the new documentary: Mola.
With Secret Mall Apartment, documentarian Jeremy Workman delves into a piece of art that’s the stuff of urban legend. Film Inquiry spoke to the director.
Ghostlight is at once profound and moving and insightful, and features some of the most natural chemistry and acting you’ll see on screen this year.
Borderline does a lot over the course of its 90 minutes, it made us laugh, it made us cringe, it made us look through our fingers.
Film Inquiry spoke with Ben Leonberg and Kari Fischer, the team behind the dog focused ghost story Good Boy!
There aren’t any stylistic flairs that Who By Fire brings to the table that differentiate this film from the prototypical coming-of-age movie.