While the North of Normal and Victim both revolve around motherhood, its central protagonists could not be any more different from one another.
Film Inquiry spoke with star and producer Ruth Wilson for her new film True Things!
In the first report from the 2022 Toronto Film Festival, Soham Gadre reviewed Triangle of Sadness, Pacification and De Humani Corporis Fabrica!
Flexing his filmmaking prowess here, Clement Virgo’s Brother is a striking example of narrative storytelling that reaches a high emotional altitude.
The arrival of Patrick into Marion and Tom’s home triggers the exploration of seismic events from 40 years previously.
Thriving upon Amalric’s sophisticated storytelling and Krieps’ propulsive performance, Hold Me Tight may be too formally ambitious for some.
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered.
From Venice FF, Princess and Banu are feature film efforts with strong female protagonists, both of whom are fighting very different battles in life.
It’s hard not to muse over whether any other performer this year can top what Cate Blanchett does in Todd Field’s Tár.
Peter has his busy life with new partner Emma and their baby is thrown into disarray when his ex-wife Kate turns up with their teenage son, Nicholas.
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
Rebellious and unconventional, singer “Weird Al” Yankovic becomes famous for changing the words to world-renowned songs.
House of Hammer’s project is to re-centralize the voices of the women who were harmed not only by him but by multiple generations of the Hammer family.