Missing retains the feeling of a J-horror, slowly building the intensity of its mystery while examining the potential compassion and deliverance of death.
In her second report from TIFF Kristy Strouse reviews Susie Searches, The Blue Caftan and Subtraction!
The Woman King is a powerful tale of sisterhood and freedom; freedom from patriarchal influences, freedom from slavery.
Best friends Sophie and Agatha find themselves on opposing sides of an epic battle when they’re swept away into an enchanted school.
On top of being a visually breathtaking feat of animation, Sleeping Beauty is an incredibly unique film in the classic Disney princess canon.
While The Other Side of Things succeeds as a love letter to the American Dream, it does not succeed as a film, feeling more like an advertisement.
Paco Plaza’s Verónica is the latest to enter the horror genre fold of demonic possessions, Ouija boards, and hauntings.
While Student Body might not scare the average horror fan, it’s a good reminder of the untapped potential of how much sheer terror mascots can contain.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Michal Blaško spoke with Film Inquiry about the film during its presentation at the 2022 edition of the Toronto International Film Festival.
Sarah Gadon has always had a keen eye for interesting roles, and she keeps that streak going with her portrayal of an imperfect mother in North of Normal.
Major studio productions often use TIFF as a launching pad for large theatrical releases, and this year is no exception with The Menu and Bros.